I arrived in England on Friday morning. The British woman who had sat next to me on the plane lamented as we exited that it was cloudy. No problem, I said. “Nothing could be worse than the Vancouver weather the other day.” Anyway, I find the clouds settled over the hills kind of intriguing.
It’s greener here than Vancouver right now, but the hills in the country are still brown from a distance between the patches of grass and pasture. I’m trying to imagine what it looks like when it’s all lush. The place is covered in daffodils, some tulips have sprung, magnolias and the odd cherry bloom, and the birds are gloriously loud. On a forest walk, I spotted salmonberry bushes in early bloom, and learned one can suck on the nectar for a treat, which will be sweet if the petals are easy plucked.
Last week I experienced the WE:Vancouver exhibition at the Vancouver Art Gallery. It’s one of the few shows I’ve seen where the gallery extends beyond art to include design and architecture, and they do it remarkably well. The fact that it’s all local (Jason lamented he didn’t make it in) makes it unique and more personally felt.
It did an excellent job communicating our cultural connection with nature through pieces like compelling manifestos by Alisa Smith and James MacKinnon, authors of The 100-Mile Diet, and the Vancouver Public Space Network; video and installation from the Downtown Eastside’s SOLEfood farm (psst! they’re screening Dirt on March 10); and eco-fashion goddess Natalie Purschwitz’s gorgeous outfits are displayed in photo and video. Other installations embrace our vibrant city and ideas as they focus on public spaces, food, and Critical Mass as they relate to Vancouver and its people.
Without giving away too much, the exhibit is a visual, aural and physical experience. It has its own gorgeous microsite as well, but don’t let it spoil your visit if you browse the site first, and photos are definitely no substitute!
Be sure not to miss Ken Lum’s trippy hall of mirrors on the second floor — take a friend in with you.